sulod

11/15/11

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It surely is one of the most beautiful impressions of life I know, to meet people that have found their key, and if they hum, whistle or scream - it doesn’t matter… as much as the fact that they found the sound of their own voice.

tigayon

 

my sister glorifying Tigayon lake (Tigayon Hills, Aklan)

 

 

 

nostalgia in frame:

 

 

erfurt1

 

 Erfurt.

 

imagine a street full of quaint shops. 

each shop owning a YOUness. one shop full of mugs, another of vintage cameras, an old one displaying typewriters. each shop offers various sizes, ages and styles of a certain product. as much as i enjoy the random small shops here in Calle Real, it felt extra special to aimlessly walk and step inside those shops. that time, i felt that the eyes are indeed windows to the soul. it cured a hunger. sensuous journey on foot for a couple of hours.

 

here’s to celebrating the old and the authentic, the beautiful hands of people everywhere that mold and create, the beauty and catharsis of the human soles, the awe of taking in— every crumb of something to discover.

 

 

 

 —–*

 

 

recently, balcony and bus window music:

 

 

Bon Iver

Alexi Murdoch

Mumford and Sons

Yann Tiersen

Devendra Barnhart

Angus and Julia Stone

The Tallest Man On Earth

 

 .

 

Posted by modernpatadyong at 7:57:00 | permalink | comments[5]

sabuy

11/11/11

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squat4
 
 
In your spaces, I felt it was liberating to breathe - surrounded by young people who brace the alternative ways of living and consuming, by art that I have only seen in photos before I met you and by discussions that a very few acquaintants have dared talked to me. Arriving at your very doorstep was something I have never imagined. (Except for the fact that at 8, I transported from a book page to Netherlands’ windmills and tulips). It has always been this curiosity that I had to quench. It took me so long to finally write about you out loud, it is because I was overwhelmed. Your walls were better than book covers - I could imagine how the artists melted with their passion while splashing colors, shapes and mess on your dusty frames. Your rooms were different planetoids - a marvel to walk into, a destination boxed smaller without clouds above.
 
I remember how my eyes almost galloped from my face when I saw your library full of old books, old couches (full of tear but beautiful). Walked the slowest when I set foot at your FREEroom- where I touched a pile of clothes and socks that anyone can get for free. There were also postings for free hugs, free massage and free food for all. I could imagine all those warmth, nourishment and connection. Your gig room was something I fell for- young people sharing good vibes, good music and a clamor  (against the government). If only you knew how it felt to stand there, held a cold drink and got lost with the riffs. Your sala full of  small talks and conversations with Sebastian. Your activity center where they let go of the intensity and just sweat out via table tennis. Your bedrooms where the windows were fogged by autumn breath, handwritten memoirs and melted candles. The darkness at night when I needed to touch each piece of iron, cement and wood. The burst of sunshine between tree branches in the morning.
 
I left with a torn backpack. I left right after we goofed about Baywatch - because they wanted to relocate you where I am now: the sunshine, the sea, sweet mangoes, the sand and brown toes. Just so you know, the Police interrogated me when they saw me outside , brushing my teeth near a red car. It was a couple of hours before my flight.
 
I found myself talking to a Polish seaman, my plane seatmate from Amsterdam. He was 32 and had no eye contact at first. But later, when I told him about the young people who live and breathe and called you home, he began to loosen up a bit and later, he told me about his life- about that made and bent his country.
 
Where I am now is so different. While young people who built the principles that built you fought for justice and anti-capitalism, people from my hometown wake up early to sell vegetables, meat, coffee, cigarettes in the mercado publico. Here, Nang Gen washes others clothes to provide comfort to her daughter. Here, sikad drivers stand the heat of the mid-day just to get by and to have 3 meals a day for their families. Teachers line up to get their salary and sigh about some loans - but inspire a kid or two while they tell a story or teach a lesson. Young people study well or spend time with friends talking and laughing over mundane things. There are different struggles and means to live- I can go on until I doze off. What I mean is, it was such a pleasure to see your side of the Universe. I did not only find something in me and the global village,
 
there was
 
something who/which found me too.
 
 
 
and here, everyday, if not sometimes, the appreciation for people and their ways to live is growing bud by bud against the blows of modernization and hunger for happiness.
 
 
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Posted by modernpatadyong at 17:28:00 | permalink | comments[2]

hinay

11/3/11

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grateful for:       

 

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 the child in her: mouth wide open in awe —oh just gets me every time!

 

thank you for crossing islands just to see me in person, poetess. the heat of my bedroom misses your inquisitive nature, the way you forget where you place your belongings, the sound of your laughter and the way you murmur words while asleep (haha). here’s to the no-intimidation and distant fascination i was telling you about- because you are so human and truly beautiful when near, when embraced.

 

she sat there, same taxicab i and Karen took from Progreso, Lapuz.

she sat there, maybe minutes later she’d talk to the driver and tell him about Lola Emma or

Mayolo or that sekyu who became my friend—

sat there, in her bookshelves dress, slender legs and faded toenail paints.

sat there, oil films and sms from Adi, sat there with a box of mangoes from Guimaras.

so she sat there as i and Karen bought some siopao before we took the dyip to La Paz.

she sat there, stopping tears.

i sat on the dyip stopping mine, biting pieces of mantao and a little chicken flake.

the taxicab driver does not know that she refuses arrivals

and that she aches with the strings,

 

but he knows 

she has a broken smile

bruised knees

old soul

 

 

buoyant heart.

 

 

—————————————————————

 

 

 why the slow, simple life in most days?

 

 for it includes trusting personal experience and not the media “expertise” which exists primarily to sell products, putting enjoyment over careerism, promoting non-competitiveness instead of dominance and winning, connecting with nature — Connecting with self and nature, creating local communities encouraging people to come together in caring relationships.

 

(idealistic, yes- but always attempting to reject too much of materialism, fakeness and phoniness. i guess it’s always rewarding to gain a new enriching experience and a new friend than be enslaved with the idea of something with a tag price. comfort is different from bragging rights)

 

IMG_3168

 

and why TRAVEL  and NOT MERELY SIGHTSEE when you CAN?

 

“We have only education to better ourselves, and if experience is the best education, it comes through experience of our surroundings, of life itself. That, perhaps is why we travel. If the human race is to evolve further, we need cultural understanding, cross-border ties and a shunning of the bigotry, greed and corruption of politics.”

 

Immersion–it does not have to be FAR but maybe, maybe just DEEPer  than the usual pose-with-a-landmark. 

 

Link Love:

http://www.cosmolearning.com/

 

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Posted by modernpatadyong at 9:20:00 | permalink | comments[3]

sumalang

10/18/11

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on not-so-really-lucky days, she wastes time on reading this Old Man who got enriched by Asia, listens to Fleet Foxes and Noah and the Whale. on a perhaps-one-lucky-day,

 

she meets someone who is larger than life.

 

 

 

 

Posted by modernpatadyong at 9:21:00 | permalink | comments[2]

isda

09/29/11

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she thought about Existentialism. then a checklist- planted a tree, done. did volunteer work, done. fall madly in-love, not yet. she worried about the natural disasters, anxious about city pollution and corruption even from the barangay level. she leaned her back on the wooden chair and drank water. the gold fish swam gracefully around a fake seaweed in the bowl.

 

 

.

 

 

Posted by modernpatadyong at 18:22:00 | permalink | comments[2]

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siya

 

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she likes seashore naps and the view of everything from the bus window. she likes tiny moments and the small spaces between faces when people talk.

 

sometimes, she wakes up to that odd feeling of being a fallen leaf, an old tree, an azotea or a waitress somewhere-- talking to a taxicab driver about that random song on the radio.

 

*


 ---

 poetry as visual art

 powets do kick ass

 iPud (ako, too)

---

 

 

 

 

 

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and this. a proof that:

how you see LIFE is how

you actually see YOUR self.


 

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maddening spurt:

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 “The only people for me are the mad ones, the ones who are mad to live, mad to talk, mad to be saved, desirous of everything at the same time, the ones who never yawn or say a commonplace thing, but burn, burn, burn, like fabulous yellow roman candles exploding like spiders across the stars and in the middle you see the blue centerlight pop and everybody goes "Awww!”

 

-Jack Kerouac-